Projets
Studio Florero contemplates the balance between beauty and function finding quiet meaning in ordinary things. Adornment, in this sense, is not excess, but a reminder of presence.
花瓶工作室在美與實用間尋找靜謐的平衡；讓裝飾成為存在的提醒。
Belt of Venus 2024
Belt of Venus is a natural phenomenon that appears just before sunrise or after sunset.
When the sun sinks below the horizon, a soft pink glow rises above the earth’s shadow.
It marks the meeting of day and night, lasting only a few minutes — as if time were gently stretched.
I like pink, gentle yet stubborn, it softens a space and makes it breathe.
In nerikomi, different clays find their own balance; the patterns lie between experience and chance, like the dialogue between tea and vessel, where time slows down.
維納斯腰帶是一種在日出前或日落後出現的自然現象。 當太陽剛沉入地平線下，天空會浮現一圈淡粉色的光。那是長日之後、日與夜的交界，只持續幾分鐘，像時間被延長。 我喜歡粉紅色，柔軟又固執，讓空間變得溫和。在絞胎過程裡，不同色土自己找到平衡，紋理在經驗與偶然之間，像茶與器的對話，讓時間慢下來。
The Fragments of Summer Solstice 2024
The summer solstice marks the longest day of the year, and it’s my favorite moment.
The lingering light and late sunset make time feel stretched. Through lines and colors, I try to capture that illusion of summer, its light, warmth, and quiet rhythm.
Each piece uses nerikomi and slip techniques, where layers of colored clay and pigments blend like reflections and ripples on water, expressing the soft and unhurried pace of midsummer.
夏至是一年中白晝最長的一天，也是我最喜歡的時刻。
那延長的日光與遲來的日落，讓時間像被拉長。我用線條與色彩記錄這份夏日的錯覺——光、熱與生活的餘韻。
作品運用絞胎與化妝土技法，讓不同色土與粉粒交織，如池水中的倒影與光斑，呈現夏至柔軟而漫長的節奏。
Outside the Scope of Control 2023
Nerikomi is a technique that combines clays of different colors through wheel-throwing, hand-building, and polishing, creating unique interwoven patterns.
Because the materials expand differently during firing, cracks may appear, adding an element of uncertainty.
Through repeated layering and twisting, I try to control the formation of patterns, though complete mastery is impossible.
These traces become a dialogue between freedom and restraint, giving each piece its own distinct character.
絞胎是一種混合不同色土製作的技法，經由拉坯、手捏與打磨，使色土交織出獨特紋理。
因材料膨脹係數不同，燒製時容易產生裂痕，也讓作品充滿不確定性。
在反覆堆疊與扭轉中，我嘗試控制紋路的生成，卻仍無法完全掌握。
這些細節成為自由與限制之間的對話，讓每件作品都擁有獨一無二的痕跡。
Tea Room Balcony
陽台茶屋 2023 ~
Since 2023, I have been studying the art of tea.
Through the process of brewing, I gradually came to understand the philosophy that connects tea and ceramics — a harmony of rhythm, focus, and sensibility.
This understanding has led me to seek stillness in my ceramic practice and to find dialogue with myself through the medium of tea ware.
Over time, I began hosting tea ceremonies, weaving together making and hospitality as a way of daily cultivation.
自 2023 年起，我開始學習茶道。 在泡茶的過程中，我逐漸體會到茶與陶之間相輔相成的哲學、節奏、專注與感知的平衡。 這份體悟讓我不僅在陶藝中尋找靜心，也在茶席中學會以器為媒介，與自己對話。 隨著時間推移，我開始司茶，讓製作與款待融為一體，成為生活中的修行。
