​控制範圍之外  Outside the Scope of Control   2023

Marbling is a ceramic decorative technique that involves mixing different-colored clay bodies. Through complex processes such as throwing, hand shaping, and polishing, a unique texture is created by intertwining different-colored clays. Marbled clay can display various patterns, such as flowers, wood grains, stone patterns, or various swirling designs.

However, due to the use of different types of clay, pottery, and porcelain in the objects, the firing process can be challenging, as the materials have different coefficients of expansion, which can result in cracks. Additionally, the technique itself involves intricate steps. By layering, twisting, and experimenting with different configurations, I can attempt to control the patterns on the clay body. Through extensive practice and experience, I can generally predict the patterns on the clay body, but I still cannot fully control the variations in the marbled clay.

The resulting details in the artwork are filled with a dialogue between unexpected exploration and control. This dialogue gives each piece a unique texture and detail. This technique allows me to maintain a balance between freedom and limitations.

絞胎是一種透過混合不同顏色的土胎來進行製作的陶藝裝飾技巧。這種技法經由拉坯、手捏和打磨等複雜步驟，融合了各種顏色的土，交織出獨特的紋理。土胎能夠呈現出多樣的花紋、木紋、石紋或其他雲紋效果。
 

然而，在物件製作過程中使用了不同種類的泥、陶和瓷，它們的燒製過程會因為膨脹系數的差異而容易出現裂痕。此外，這種技法的工序也相對繁複。藉由疊加、扭轉和不同的配置，我可以嘗試控制坯體上的紋路。透過大量的練習和經驗，我能夠大致預測坯體的紋路，但我仍然無法完全掌控土胎的變化。

而作品中誕生的各種細節，充滿探索意外與掌控之間的對話，這樣的對話讓每個作品都有了獨一無二的紋理細節。而這個技法讓我得以在自由和限制之間的保持平衡。